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A conversation about...Bling! (2025)
In the theatre performance Bling! Ngaba depicts the Cullinan’s journey home to South Africa. With a personification of the diamond, flickering images from the future and monologues from a court, she takes you from the early 19th century to today’s South Africa. She takes the audience into an alternative history and future. In the process, she seeks the answer to the question: by returning this diamond, can the UK heal all the scars of the past?


Keti Koti 2025
In 1595, two teenage boys were taken from Madagascar by Dutch traders on their first expedition to Asia. The traders renamed them Lourens and Madagascar. These boys became the first known enslaved individuals trafficked by what would later become the Dutch East India Company (VOC). Journalist Leendert van der Valk unearthed their story in the archives. Writer Clarice Gargard transformed Leendert’s findings into a powerful new theatre text.


Volg het Spoor (2025)
In june 2025, the book Volg het Spoor was published as a public-oriented edition of a research project on the involvement of Arnhem and the province of Gelderland in the Dutch slavery past. The book presents dozens of historical stories that link the city of Arnhem and its institutions, families, and streets to the Dutch colonial system and the transatlantic slave trade. I was asked to create the cover illustration for this publication.


Bittere Oogst (2025)
From April 18 to August 31, 2025, Valkhof Museum presents the exhibition Bittere Oogst/Bitter Harvest. The exhibition reveals the hidden history of slavery and resistance through a unique diorama of a Surinamese coffee plantation from 1823, crafted by Gerrit Schouten. Artist Richard Kofi made the drawings for the poster of the exhibit. His project Draden van ons Nederlandse slavernijverleden is part of the exhibition's program.


Draden van ons Nederlandse Slavernijverleden (2025)
In every province of the Netherlands, residents are working together on an impressive tapestry that depicts the regional history of the colonial slavery past. For Gelderland, artist and curator Richard Kofi designed a tapestry no less than 35 meters long, which expresses both history and hope for the future.
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